Eagle Valley Library District

All Eagle Valley Library District locations will be closed on Wednesday, November 11 in observance of Veterans Day.

Regular library hours will resume Thursday, November 12.

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Book cover for Colm Tóibín’s The Bridge, with large yellow lettering over a blue mountain landscape, a village, and two figures on a bridge.

The Bridge

Colm Tóibín

Fiery red-orange serif lettering spells “Callie Hart, Brimstone” on a black background, with glowing embers and a dark, dramatic fantasy-book-cover mood.

Brimstone

Callie Hart

Political thriller poster for Burn Everything Then Forget It by Boston Teran, showing a city street engulfed in flames beneath a dark, star-streaked sky.

Burn Everything...Then Forget It

Boston Teran

Christmas Staycation by Meghan Quinn romance cover: a couple embraces beside a wreath-decorated RV in snowy Kringletown, amid pine trees and festive lights.

Christmas Staycation

Meghan Quinn

Book cover for William Boyd’s Cold Sunset, featuring bold gold lettering over black and teal stripes, a large pale sun, and a lone silhouetted figure in a dramatic, surreal scene.

Cold Sunset

William Boyd

Book cover of Sarah J. Maas’s A Court of Splintered Harmony, featuring ornate black line art of a flaming, swirling figure against a vivid pink-to-gold gradient.

A Court of Splintered Harmony

Sarah J. Maas

Cover of Frank Herbert’s Dune Messiah graphic novel: a lone red-cloaked man grips a blade in a glowing desert, creating an ominous, epic sci-fi mood.

Dune Messiah Graphic Novel: Book One

Brian Herbert

Fantasy novel cover for Brandon Sanderson’s *The Fires of December*: a wary dark-haired woman with a cat faces a swirling red dragon, conveying danger and magic.

The Fires of December

Brandon Sanderson

Illustrated hockey player poses for a phone pictures on the rink as a dog watches; Spanish title “Modelo a seguir” (“Role Model”) by Rachel Reid.

Modelo a Seguir

Rachel Reid

Will Wight’s fantasy novel Soulsmith: Cradle, Volume Two features a weathered stone medallion engraved with a hammer against a deep blue background.

Soulsmith: Cradle Volume Two

Will Wight

Vintage illustrated book cover for “Beatrix Potter’s Botanical: The Art of Flowers and Fungi,” with delicate watercolor flowers, leaves, fungi, and her iconic rabbit character on pale blue.

A Beatrix Potter Botanical: The Art of Flora and Fungi

Marta McDowell

Black-and-white memoir cover showing a close-up of Joe Manganiello’s intense, bearded face; the title Bloodlines appears above, with a stark, serious tone.

Bloodlines: A Memoir

Joe Manganiello

Book cover for “The Buddha in You,” a beginner’s guide to Buddhism, from karma to nirvana, by Lama Lhanang Rinpoche and Mordy Levine; serene mountains and clouds.

The Buddha in You

Lama Lhanang Rinpoche and Mordy Levine

Book cover titled “Dyslexia explained: Your Toolkit to Understanding and Thriving” by Dr. Jacob Santhous. Pink ribbon-like lines cross a teal background, creating an encouraging, informative tone.

Dyslexia Explained

Jacob Santhouse

Black book cover titled “Grand Prix,” a Formula 1 illustrated history, with large letters filled by racing imagery and a bright yellow Spanish blurb.

Grand Prix: Una Historia Ilustrada de la Fórmula 1

Will Buxton

Green-on-black vintage poster for “A History of the Unexplained,” featuring a watchful eye in a triangle, UFOs, sea serpent, Bigfoot, ghost ship, and a forest wanderer; eerie and mysterious.

A History of the Unexplained

Karl Shuker

Book cover for Victoria Hutchins’s Make Believe: Poems for Hoping Again. Pink lettering stands above a swimmer and a young girl on a diving board in a pastel sea, evoking a hopeful, reflective mood.

Make Believe: Poems for Hoping Again

Victoria Hutchins

A vibrant Mediterranean salad with tomatoes, cucumber, feta, red onion, and herbs on an ornate plate against blue; cookbook cover by Ayesha Nurdjaja.

Mediterranean All the Way

Ayesha Nurdjaja

A retro collage of yellow-and-black covers for James Gleick’s The Telephone: A New History, with vintage phones and bold, playful typography.

The Telephone: A New History

James Gleick

Promotional poster for *We Thought They’d Never Leave*, featuring relaxed Tony Shalhoub at a dining table with leftover dishes, humorously evoking family gatherings.

We Thought They'd Never Leave

Tony Shalhoub

Doctor Who: The Web of Fear special edition cover shows an anxious man holding a device, surrounded by eerie monsters in a blue-lit tunnel; ominous sci-fi tone.

Doctor Who: The Web of Fear

BBC

Dark, surreal portrait of a blond figure whose portrait is clawed and thorny branches and roses are coming through, with the warning “DON’T LET THE FOREST IN” across the bottom.

Don't Let the Forest In

C. G. Drews

Book-cover art shows a blue halftone face split by white, red-marked shards, with a gold “The Memory Police” seal; dark, eerie, fragmented mood.

The Memory Police

Yōko Ogawa

llustrated graphic memoir cover for Mexikid: a smiling boy in a blue cap amid family, strawberries, and green farming machinery, with a playful, lively tone.

Mexikid Dreams: A Graphic Memoir

Pedro Martin

Book cover for Barbara Kingsolver’s Partita: pale arms reach across piano keys against a black background, creating a dramatic, mysterious mood.

Partita

Barbara Kingsolver

Book cover for The Hunger Games: Sunrise on the Reaping by Suzanne Collins, showing two golden birds facing each other above a glowing sunburst against a dramatic purple background.

Sunrise on the Reaping

Suzanne Collins

Book cover for “Turtle Island” by Sean Sherman. A buffalo stands above a bold yellow title banner, with illustrated foods below, set against a patterned red, blue, and cream background. Feels vibrant and celebratory.

Turtle Island

Sean Sherman

Book cover for The Westerners: Mythmaking and Belonging on the American Frontier by Megan Kate Nelson, set against a muted landscape with figures in home-made raft.

The Westerns

Kate Megan Nelson

Book cover for T. Kingfisher’s Wolf Worm: bold white lettering overlays a botanical illustration of a flowering plant with twisting red roots on a dark background.

Wolf Worm

T. Kingfisher

Book cover for Emily St. James’s novel Woodworking: oversized pastel letters overlay a jumble of classroom chairs and tables, creating a playful, quirky tone.

Woodworking

Emily St. James